Candid

Diamond Days

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Photography, Video AND artwork for Brooks Williams’ recent album “Diamond Days”

I’ve worked with American singer/songwriter Brooks Williams on various projects over the years - solo shoots, collaborations with other musicians (Rab Noakes, Boo Hewerdine), as well as behind-the-scenes stuff and it’s always a pleasure. Last summer Brooks was in Wales at Martin Levan’s Red Kite Studio recording his new album “Diamond Days” and I was invited to film and photograph the sessions.

It was my first time in Wales and while the 8-hour, 3-train journey from Glasgow was rather stressful, it was worth it in the end. Set in the deepest Welsh valleys, Red Kite Studio was a dream space to photograph in and the hospitality of everyone involved made the whole experience a highlight of 2023 for me. See below for the photos, music videos as well as album artwork (I was responsible for that too).

GEAR PHOTO:
Nikon D850
Nikkor 85mm f1.4
Nikkor 35mm f1.8
Tiffen Black Pro-mist 1/4 Filters

GEAR VIDEO:
Sony A7III
Sony 35mm f1.8
Sony 85mm f1.8
DJI RS 2
Tiffen Black Pro-mist 1/4 Filters

Celtic Connections 2024

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Documenting the 2024 Celtic Connections Festival

Well, this January flew by for a change, thanks to Celtic Connections, the world-renowned folk, roots and world music festival. Glasgow Life approached me late last year asking if I’d be interested in documenting the 2024 outing of the annual winter event and I was, like, hmm, I need to think about it. I’m kidding, obviously, I jumped at the opportunity!

This year’s festival run from January 18th to February 4th, with over 300 events involving 1,200 artists across 25 of the city’s venues. I’m not superhuman and was able to photograph only a portion of that, but hopefully what you see below is a good representation of the 2024 Celtic Connections. I had a blast and am looking forward to the 2025 edition if they have me back. Enjoy a selection of my favourite shots from the past 3 weeks:

GEAR
Nikon D850 x 2
Nikkor 85mm f1.4
Nikkor 35mm f1.8
Nikkor 14-24mm f2.8
Tiffen Black Pro-mist 1/4 Filters

Songs From The Last Page

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Photography, Video & Artwork for Gareth Williams’
“Songs From The Last Page” project

“Songs from the Last Page” is an ongoing project by an acclaimed composer/songwriter Gareth Williams where he lyrically transforms iconic final pages from Scottish fiction into brand-new 'literary chamber pop' songs. I’ve worked with Gareth on various ventures throughout the years (such as “Navigate the Blood”) but “Songs from the Last Page” has been really special. It’s been growing and developing for the past 2 years and I’ve been fortunate to be involved from the beginning: taking photos, filming, and eventually working on promotional artwork and CD packaging. For someone who thrives on creative control, this has been a dream. We shot at Edinburgh College of Art, recording studios, and even travelled to the Scottish Highlands to photograph the album cover at Loch Glass. You can check all of that and more below and you can catch Gareth performing some of these songs live at this year’s Fringe Festival. The album is out now.

2021

2022
with Deirdre Graham.

2023
with Aisling O Dea (violin) and Justyna Jablonska (cello) at GloWormRecording studio.

“Song from the Last Page of Lanark” Single Cover.

Fringe promo poster

Fringe promo poster.

FujiFilm x100v

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Thoughts on FujiFilm X100v Camera

My name is Kris and I am a lazy photographer. What I mean by that is that I’ve never been the type of photographer who carries a camera everywhere they go, taking pictures of anything and everything. I’ve always admired such people, I’m just not one of them. I value comfort and practicality above all else. See? Lazy. When I started taking photos, it was with a Zenit 11 and that camera is built like a Soviet tank, not exactly a “throw-in-your-pocket” type of equipment (although it could certainly double as a weapon if one had to defend themselves). In recent years, with photography becoming my full-time job, I’ve worked with various Nikon DSLRs - D700, D4, D850 - but these are expensive cameras to be carrying around and not exactly light or compact either. I’ve realised, however, that I missed taking snaps of my friends or of places I was visiting. I’d usually use my iPhone for that but it never feels right for me, no matter how great the phone cameras are these days. And this is what brought me to the FujiFilm x100 series.

I’d been watching various YouTube videos about these cameras, reading reviews, checking prices on eBay, and last year I eventually bit the bullet and bought the then recently released x100v model. First of all, it’s beautiful. I often feel that in the digital age the aesthetics of a camera are the last to be considered. I realise that what a camera looks like isn’t of utmost importance for most, and I’m not too bothered about it either when it comes to the equipment I use for work (the Nikons aren’t exactly ugly but they won’t be winning beauty contests anytime soon). However, if I’m going to carry a camera with me every day, I want it to be compact, practical, and, yes - pretty. And the old-school, analog-borrowed look of the whole x100 series is really lovely (I went for the silver model). As for the performance, I’ve been shooting with x100v for almost a year now, always have it in my bag, and I really love it - it definitely exceeded my expectations when it comes to image quality and it also brought back the joy of taking photos just for fun, without overthinking. I’ve got it set on Aperture priority and don’t worry about much else. I mainly use it for personal things: meeting friends, traveling, behind the scenes, etc, but I’ve also occasionally taken it out on work shoots and ended up with decent results. All in all, I’m super happy with it, and here are some examples of snaps I’ve taken with the FujiFilm x100v so far:

A Decade with Jill Jackson

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In August 2010 I had my first photoshoot with Jill Jackson. I was working as a graphic designer at The Print Box at the time, and Jill was one of our clients. I worked on various posters and an EP for her and struck an e-mail friendship with Jill’s assistant at the time. I noticed that they kept using the same images for promo so I thought “what the hell” and suggested taking new photos of Jill. If they like them - great; if not, it would still be a great experience for me. I’ve been taking pictures since I was a kid, it’s always been a hobby of mine, so I sent a few examples of my past work and awaited a response. Luckily, Jill liked what she saw and agreed to do a session with me.

The first time Jill and I met in person was at King Tut’s where she was playing a gig. I didn’t really know what to expect from Jill or her music, but as I stood there watching her perform I could feel myself getting increasingly excited at the prospect of photographing her - you can’t fake that kind of stage presence and charisma. And I loved the songs too. We had a brief chat after the show and a week later we were doing the shoot.

A good friend of mine had a beautiful old house with a garden in Mount Vernon and that’s where that first session took place. My partner was helping with the lights and the three of us quickly bonded over our love for music and Kath & Kim (“Look at moiye, look at mooooiye!”). It marked the beginning of a years-long friendship and numerous other collaborations followed. We shot everywhere and all sorts; from abandoned jails to being knee-deep in freezing Loch Lomond; from album and magazine covers to concerts and music videos. Unwittingly, that first session with Jill would also be the start of my photography career as my work with her lead to commissions from other artists. In four years I would leave The Print Box to become a full-time photographer.

Whether there’s still a photography career for me to come back to after this pandemic remains to be seen. In the meantime, however, I thought it would be nice to celebrate this 10-year landmark by posting an image from every session/collaboration I’ve done with Jill so far - there are live shots (hers was the very first concert I ever photographed), some behind the scenes photos as well as outtakes and images that haven’t been published anywhere till now.

I need to come clean here though - a few of the earlier photos have been re-edited. There was some bad retouching and heavy-handed colour treatments that I couldn’t look at now. You live, you learn!

Which image is your favourite? Perhaps you attended some of the gigs? Let me know and enjoy:

“My Baby” music video, May 2018.

“Goodbye” music video, January 2019.